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Posts Tagged ‘James Whitcomb Riley’

         A Poet’s Wooing

“What may I do to make you glad,
To make you glad and free,
Till your light smiles glance
And your bright eyes dance
Like sunbeams on the sea?
Read some rhyme that is blithe and gay
Of a bright May morn and a marriage day?”
And she sighed in a listless way she had, -
“Do not read – it will make me sad!”

“What shall I do to make you glad -
To make you glad and gay,
Till your eyes gleam bright
As the stars at night
When as light as the light of day? -
Sing some song as I twang the strings
Of my sweet guitar through its wanderings?”
And she sighed in the weary way she had, -
“Do not sing – it will make me sad!”

“What can I do to make you glad -
As glad as glad can be,
Till your clear eyes seem
Like the rays that gleam
And glint through a dew-decked tree? -
Will it please you, dear, that I now begin
A grand old air on my violin?”
And she spoke again in the following way, -
“Yes, oh yes, it would please me sir;
I would be so glad you’d play
Some grand old march – in character, -
And then as you march away
I will no longer thus be sad,
But oh, so glad – so glad – so glad!”

 

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The Peter Smith Farm in Parkland, Washington

(Photo credit: Wikipedia)

What Smith Knew About Farming

There wasn’t two purtier farms in the state
Than the couple of which I’m about to relate; -
Jinin’ each other – belongin’ to Brown,
And jest at the edge of a flourishin’ town.
Brown was a man, as I understand,
That allus had handled a good ‘eal o’ land,
And was sharp as a tack in drivin’ a trade -
For that’s the way most of his money was made.
And all the grounds and the orchards about
His two pet farms was all tricked out
With poppies and posies
And sweet-smellin’ rosies;
And hundreds o’ kinds
Of all sorts o’ vines,
To tickle the most horticultural minds;
And little dwarf trees not as thick as your wrist
With ripe apples on ‘em as big as your fist:
And peaches – Siberian crabs and pears,
And quinces – Well! any fruit any tree bears;
And the purtiest stream – jest a-swimmin’ with fish
And – jest a’most everything heart could wish!
The purtiest orch’rds – I wish you could see
How purty they was, fer I know it ‘ud be
A regular treat! – but I’ll go ahead with
My story!  A man by the name o’ Smith -
(A bad name to rhyme,
But I’m reckon that I’m
Not going back on a Smith! nary time!)
‘At hadn’t a soul of kin nor kith,
And more money than he knowed what to do with, -
So he comes a-ridin’ along one day,
And he says to Brown, in his offhand way -
Who was train’ some newfangled vines round a bay -
Winder – “Howdy-do – look-a-here – say:
What’ll you take fer this property here? -
I’m talkin’ o’ leavin’ the city this year,
And I want to be
Where the air is free,
And I’ll buy this place, if it ain’t too dear!” -
Well – they grumbled and jawed aroun’ -
“I don’t like to part with the place,” says Brown;
“Well,” says Smith, a-jerkin’ his head,
“That house yonder – bricks painted red -
Jest like this’n – a purtier view -
Who it it owns it?” “That’s mine too,”
Says Brown, as he winked at a hole in his shoe,
“But I’ll tell you right here jest what I kin do: -
If you’ll pay the figgers I’ll sell it to you.”
Smith went over and looked at the place -
Badgered with Brown, and argied the case -
Thought that Brown’s figgers was rather too tall,
But, findin’ that Brown wasn’t goin’ to fall,
In final agreed,
So they drawed up the deed
Fer the farm and the fixtures – the live stock an’ all.
And so Smith moved from the city as soon
As he possibly could – But “the man in the moon”
Knowed more’n Smith o’ farmin’ pursuits,
And jest to convince you, and have no disputes,
How little he knowed,
I’ll tell you his “mode,”
As he called it, o’ raisin’ “the best that growed,”
In the way o’ potatoes -
Cucumbers – tomatoes,
And squashes as lengthy as young alligators.
“Twas allus a curious thing to me
How big a fool a feller kin be
When he gits on a farm after leavin’ a town! -
Expectin’ to raise himself up to renown,
And reap fer himself agricultural fame,
By grownin’ of squashes – without any shame -
As useless and long as a technical name.
To make the soil pure,
And certainly sure,
He plastered the ground with patent manure.
He had cultivators, and double-hoss plows,
And patent ha-forks – patent measures and weights,
And new patent back-action hinges fer gates,
And barn locks and latches, and such little dribs,
And patents to keep the rats out o’ the cribs -
Reapers and mowers,
And patent grain sowers;
And drillers
And tillers
And cucumber hillers,
And horries; – and had patent rollers and scrapers,
And took about ten agricultural papers.
So you can imagine how matters turned out:
But Brown didn’t have not a shadder o’ doubt
That Smith didn’t know what he was about
When he said that, “the old way to farm was played out.”
But Smith worked ahead,
And when any one said
That the old way o’ workin’ was better instead
O’ his “modern idees,” he allus turned red,
And wanted to know
What made people so
Infernally anxious to hear themselves crow?
And guessed that he’d manage to hoe his own row.
Brown he come one’t and leant over the fence,
And told Smith that he couldn’t see any sense
In goin’ to such a tremendous expense
Fer the sake o’ such no-account experiments: -
“That’ll never make corn!
As shore’s you’re born
It’ll come out the leetlest end of the horn!”
Says Brown, as he pulled off a big roastin’-ear
From a stalk of his own
That had tribble outgrown
Smith’s poor yaller shoots, and says he,
“Looky here! This corn was raised in the old-fashioned way,
And I rather imagine that this corn’ll pay
Expenses fer raisin’ it! – What do you say?”
Brown got him then to look over his crop. -
His luck that season had been tip-top!
And you may surmise Smith opened his eyes
And let out a look o’ the wildest surprise
When Brown showed him punkins as big as the lies
He was stuffin’ him with – about offers he’s had
Fer his farm: “I don’t want to sell very bad,”
He says, but says he,
“Mr. Smith, you kin see
Fer yourself how matters is standin’ with me,
I understand farmin’ and I’d better stay,
You know, on my farm; – I’m a-makin’ it pay -
I oughtn’t to grumble! – I reckon I’ll clear
Away over four thousand dollars this year.”
And that was the reason, he made it appear,
Why he didn’t care about sellin’ his farm,
And hinted at his havin’ done himself harm
In sellin’ the other, and wanted to know
If Smith wouldn’t sell back ag’in to him. – So
Smith took the bait, and says he, “Mr. Brown,
I wouldn’t sell out but we might swap aroun’ -
How’ll you trade your place fer mine?”
(Purty sharp way o’ comin’ the shine
Over Smith! Wasn’t it?) Well, sir, this Brown
Played out his hand and brought Smithy down -
Traded with him an’, workin’ it cute,
Raked in two thousand dollars to boot
As slick as a whistle, an’ that wasn’t all, -
He managed to trade back ag’in the next fall, -
And the next – and the next – as long as Smith stayed
He reaped with his harvests an annual trade. -
Why, I reckon that Brown must ‘a’ easily made -
On an average – nearly two thousand a year -
Together he made over seven thousand – clear. -
Till Mr. Smith found he was losin’ his health
In as big a proportion, almost, as his wealth;
So at last he concluded to move back to town,
And sold back his farm to this same Mr. Brown
At very low figgers, by gittin’ it down.
Further’n this I have nothin’ to say
Than merely advisin’ the Smiths fer to stay
In their grocery stores in flourishin’ towns
And leave agriculture alone – and the Browns.

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English: rain

 

            The Laughter of the Rain

My very soul smiles as I listen to
   The low, mysterious laughter of the rain,
   Poured musically over heart and brain
Till sodden care, soaked with it through and through,
Sinks; and, with wings wet with it as with dew,
   My spirit flutters up, with every stain
   Rinsed from its plumage, and as white again
As when the old laugh of the rain was new,
   Then laugh on, happy Rain! laugh louder yet! –
Laugh out in torrent-bursts of watery mirth;
   Unlock thy lips of purple cloud, and let
Thy liquid merriment baptize the earth,
   And wash the sad face of the world, and set
   The universe to music dripping-wet!

——————————————————–

image via Wikipedia

 

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Nothin’ to say, my daughter!  Nothin’ at all to say!
Gyrls that’s in love, I’ve noticed, giner’ly has their way!
Yer mother did, afore you, when her folks objected to me –
Yit here I am and here you air! And yer mother – where is she?

You look lots like yer mother: purty much same in size;
And about the same complected; and favor about the eyes:
Like her, too, about livin’ here, because she couldn’t stay:
It’ll ‘most seem like you was dead like her! – but I han’t got nothin’ to say!

She left you her little Bible – writ yer name acrost the page –
And left her ear-bobs fer you, ef ever you come of age;
I’ve alluz kep’ ‘em and gyuarded ‘em, but if yer goin’ away –
Nothin’ to say, my daughter!  Nothin’ at all to say!

You don’t rickollect her, I reckon?  No: you wasn’t a year old then!
And now yer – how old air you? W’y, child, not “twenty”! When?
And yer nex’ birthday’s in Aprile? and you want to git married that day?
I wisht yer mother was livin’! – but I hain’t go nothin’ to say!

Twenty year! and as good a gyrl as parent ever found!
There’s a straw ketched on to yer dress there – I’ll bresh it off – turn round.
(Her mother was jes’ twenty when us two run away.)
Nothin’ to say, my daughter!  Nothin’ at all to say!

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            A Backward Look

As I sat smoking, alone, yesterday,
   And lazily leaning back in my chair,
Enjoying myself in a general way -
Allowing my thoughts a holiday
   From weariness, toil and care, -
My fancies – doubtless, for ventilation -
   Left ajar the gates of my mind, -
And Memory, seeing the situation,
   Slipped out in the street of “Auld Lang Syne.” -

Wandering ever with tireless feet
   Through scenes of silence, and jubilee
Of long-hushed voices; and faces sweet
Were thronging the shadowy side of the street
   As far as the eye could see;
Dreaming again, in anticipation,
   The same old dreams of our boyhood’s days
That never came true, from the vague sensation
   Of walking asleep in the world’s strange ways.

Away to the house where I was born!
   And there was the selfsame clock that ticked
From the close of dusk to the burst of morn,
When life-warm hands plucked the golden corn
   And helped when the apples were picked.
And the “chany dog” on the mantel-shelf,
   With the gilded collar and yellow eyes,
Looked just as at first, when I hugged myself
   Sound asleep with the dear surprise.

And down to the swing in the locust-tree,
   Where the grass was worn from the trampled ground,
And where “Eck” Skinner, “Old” Carr and three
Or four such other boys used to be
   “Doin’ sky-scrapers,” or “whirlin’ round”:
And again Bob climbed for the bluebird’s nest,
   And again “had shows” in the buggy-shed
Of Guymon’s barn, where still, unguessed, 
   The old ghosts romp throough the best days dead!

And again I gazed from the old school-room
   With a wistful look, of a long June day,
When on my cheek was the hectic bloom
Caught of Mischief, as I presume -
   He had such a “paartial” way,
It seemed, toward me, – And again I thought
   Of a probably likelihood to be
Kept in after school – for a girl was caught
   Catching a note from me.

And down through the woods to the swimming-hole -
   Where the big, white, hollow old sycamore grows, -
And we never cared when the water was cold,
And always “ducked” the boy that told
   On the fellow that tied the clothes. -
When life went so like a dreamy rhyme,
   That it seems to me now that then
The world was having a jollier time
   Than it ever will have again.

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The Dreamer (Summer Evening)

Dreamer, say, will you dream for me
   A wild sweet dream of a foreign land,
Whose border sips of a foaming sea
   With lips of coral and silver sand,
Where warm winds loll on the shady deeps,
   Or lave themselves in the tearful mist
The great wild wave of the breaker weeps
   O’er crags of opal and amethyst?

Dreamer, say, will you dream a dream
   Of tropic shades in the lands of shine,
Where the lily leans o’er an amber stream
   That flows like a rill of wasted wine, -
Where the palm-trees, lifting their shields of green,
   Parry the shafts of the Indian sun
Whose splintering vengeance falls between
   The reeds below where the waters run?

Dreamer, say, will you dream of love
   That lives in a land of sweet perfume,
Where the stars drip down from the skies above
   In molten spatters of bud and bloom?
Where never the weary eyes are wet,
   And never a sob in the balmy air,
And only the laugh of the paroquet
   Breaks the sleep of the silence there?

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We are not always glad when we smile:
 Though we wear a fair face and are gay,
   And the world we deceive
   May not ever believe
 We could laugh in a happier way. -
Yet, down in the deeps of the soul,
 Oftentimes, with our faces aglow,
   There’s an ache and a moan
   That we know of alone,
 And as only the hopeless may know.

We are not always glad when we smile, -
 For the heart, in a tempest of pain,
   May live in the guise
   Of a smile in the eyes
 As a ranbow may live in the rain;
And the stormiest night of our woe
 May hang out a radiant star
   Whose light in the sky
   Of despair is a lie
 As black as the thunder-clouds are.

We are not always glad when we smile!-
 But the conscience is quick to record,
   All the sorrow and sin
   We are hiding within
 Is plain in the sight of the Lord:
 And ever, O ever, till pride
   And evasion shall cease to defile
   The sacred recess
   Of the end, we confess
 We are not always glad when we smile.

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When the frost is on the punkin and the fodder’s in the shock,
And you hear the kyouck and gobble of the struttin’ turkey-cock,
And the clackin’ of the guineys, and the cluckin’ of the hens,
And the rooster’s ballylooyer as he tiptoes on the fence;
Oh, it’s then’s the times a feller is a-feelin’ at his best,
With the risin’ sun to greet him from a night of peaceful rest,
As he leaves the house, bareheaded, and goes out to feed the stock,
When the frost is on the punkin and the fodder’s in the shock.

They’s something kind o’harty-like about the atmusfere
When the heat of summer’s over and the coolin’ fall is here –
Of course we miss the flowers, and the blossums on the trees,
And the mumble of the hummin’-birds and buzzin’ of the bees;
But the air’s so appetizin’, and the landscape through the haze
Of a crisp and sunny morning of the airly autumn days
Is a pictur’ that no painter has the colorin’ to mock, -
When the frost is on the punkin and the fodder’s in the shock.

The husky, rusty russel of the tossels of the corn,
And the raspin’ of the tangled leaves, as golden as the morn;
The stubble in the furries – kind o’ lonesome-like, but still
A-preachin’ sermuns to us of the barns they growed to fill;
The straw-stack in the medder, and the reaper in the shed;
The hosses in theyr stalls below, the clover overhead, -
Oh, it sets my hart a-clickin’ like the tickin’ of a clock,
When the frost is on the punkin and the fodder’s in the shock!

Then your apples all is gethered, and the ones a feller keeps
Is poured around the celler-floor in red and yeller heaps;
And your cider-makin’s over, and your wimmern-folks is through
With their mince and apple butter, and theyr souse and sausage, too!…
I don’t know how to tell it – but ef sich a thing could be
As the Angels wantin’ boardin’, and they’d call around on me –
I’d want to ‘commodate ‘em – all the whole-indurin’ flock –
When the frost is on the punkin and the fodder’s in the shock!

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