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Archive for March, 2019

Here, where the world is quiet;
Here, where all trouble seems
Dead winds’ and spent waves’ riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.

I am tired of tears and laughter,
And men that laugh and weep;
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,
Desires and dreams and powers
And everything but sleep.

Here life has death for neighbour,
And far from eye or ear
Wan waves and wet winds labour,
Weak ships and spirits steer;
They drive adrift, and whither
They wot not who make thither;
But no such winds blow hither,
And no such things grow here.

No growth of moor or coppice,
No heather-flower or vine,
But bloomless buds of poppies,
Green grapes of Proserpine,
Pale beds of blowing rushes
Where no leaf blooms or blushes
Save this whereout she crushes
For dead men deadly wine.

Pale, without name or number,
In fruitless fields of corn,
They bow themselves and slumber
All night till light is born;
And like a soul belated,
In hell and heaven unmated,
By cloud and mist abated
Comes out of darkness morn.

Though one were strong as seven,
He too with death shall dwell,
Nor wake with wings in heaven,
Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
In the end it is not well.

Pale, beyond porch and portal,
Crowned with calm leaves, she stands
Who gathers all things mortal
With cold immortal hands;
Her languid lips are sweeter
Than love’s who fears to greet her
To men that mix and meet her
From many times and lands.

She waits for each and other,
She waits for all men born;
Forgets the earth her mother,
The life of fruits and corn;
And spring and seed and swallow
Take wing for her and follow
Where summer song rings hollow
And flowers are put to scorn.

There go the loves that wither,
The old loves with wearier wings;
And all dead years draw thither,
And all disastrous things;
Dead dreams of days forsaken,
Blind buds that snows have shaken,
Wild leaves that winds have taken,
Red strays of ruined springs.

We are not sure of sorrow,
And joy was never sure;
To-day will die to-morrow;
Time stoops to no man’s lure;
And love, grown faint and fretful,
With lips but half regretful
Sighs, and with eyes forgetful
Weeps that no loves endure.

From too much love of living,
From hope and fear set free,
We thank with brief thanksgiving
Whatever gods may be
That no life lives for ever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.

Then star nor sun shall waken,
Nor any change of light:
Nor sound of waters shaken,
Nor any sound or sight:
Nor wintry leaves nor vernal,
Nor days nor things diurnal;
Only the sleep eternal
In an eternal night.

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pd6o1G8.jpg

A neat path;
Nice trimmed hedge. But, oh!
My frizzy hair!

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photo by Kevin Tuck at
http://www.rgbstock.com/photo/pd6o1G8/Rural+lane

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* The haiku I write are lines of 3-5-3 syllables instead of 5-7-5.

See Haiku article here for explanation, if needed: https://thebardonthehill.wordpress.com/2011/08/08/haiku/
——————–

© Dennis Allen Lange, 2019.

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There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society where none intrudes,
By the deep sea, and music in its roar:
I love not man the less, but nature more,
From these our interviews, in which I steal
From all I may be, or have been before,
To mingle with the universe, and feel
What I can ne’er express, yet cannot all conceal.-

Roll on, thou deep and dark blue ocean-roll!
Ten thousand fleets sweep over thee in vain;
Man marks the earth with ruin-his control
Stops with the shore;-upon the watery plain
The wrecks are all thy deed, nor doth remain
A shadow of man’s ravage, save his own,
When for a moment, like a drop of rain,
He sinks into thy depths with bubbling groan,
Without a grave, unknell’d, uncoffin’d, and unknown.

His steps are not upon thy paths-thy fields
Are not a spoil for him-thou dost arise
And shake him from thee; the vile strength he wields
For earth’s destruction thou dost all despise,
Spurning him from thy bosom to the skies,
And send’st him, shivering in thy playful spray,
And howling, to his gods, where haply lies
His petty hope in some near port or bay,
And dashest him again to earth: there let him lay.

The armaments which thunderstrike the walls
Of rock-built cities, bidding nations quake,
And monarchs tremble in their capitals,
The oak leviathans, whose huge ribs make
Their clay creator the vain title take
Of lord of thee, and arbiter of war;
These are thy toys, and, as the snowy flake,
They melt into thy yeast of waves, which mar
Alike the armada’s pride, or spoils of Trafalgar.

Thy shores are empires, changed in all save thee-
Assyria, Greece, Rome, Carthage, what are they?
Thy waters washed them power while they were free,
And many a tyrant since: their shores obey
The stranger, slave or savage; their decay
Has dried up realms to deserts:-not so thou,
Unchangeable, save to thy wild waves’ play-
Time writes no wrinkle on thine azure brow-
Such as creation’s dawn beheld, thou rollest now.

Thou glorious mirror, where the Almighty’s form
Glasses itself in tempests; in all time
Calm or convulsed-in breeze, or gale, or storm,
Icing the pole, or in the torrid clime
Dark-heaving; boundless, endless and sublime-
The image of eternity-the throne
Of the invisible; even from out thy slime
The monsters of the deep are made; each zone
Obeys thee; thou goest forth, dread, fathomless, alone.

And I have loved thee, ocean! And my joy
Of youthful sports was on thy breast to be
Borne, like thy bubbles, onward: from a boy
I wanton’d with thy breakers-they to me
Were a delight; and if the freshening sea
Made them a terror-’twas a pleasing fear,
For I was as it were a child of thee,
And trusted to thy billows far and near,
And laid my hand upon thy mane – as I do here.

 

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Boston_Tea_Party_w

Shed tears for Boston and the troubled tea,
That toast in harbor’s glass to tyranny.
The glass, when raised, was flung into the face
Of one enthroned across an ocean’s space. 

Shed tears for Boston and the colonies
Who felt the anaconda’ deadly squeeze,
The air of life pressed from their breasts and backs
By an oppressive rule and heavy tax. 

Shed tears for Boston who’s been newly led
By liberals by whom their blood was bled –
A brainless Barney Frank’s economy
And “want more government” Ted Kennedy.

Shed tears for Boston now, that once was free,
But slid back to a royal tyranny.

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© Dennis Allen Lange, 2019.

 

 

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So proud she was to die
It made us all ashamed
That what we cherished, so unknown
To her desire seemed –
So satisfied to go
Where none of us should be
Immediately – that Anguish stooped
Almost to Jealousy –

 

 

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sunny beach

Sunny here
By the beach and rocks.
Rainy there.

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photo by Justyna Furmanczyk at
http://www.rgbstock.com/photo/mqyzucm/sunny+beach

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* The haiku I write are lines of 3-5-3 syllables instead of 5-7-5.

See Haiku article here for explanation, if needed: https://thebardonthehill.wordpress.com/2011/08/08/haiku/
——————————————

© Dennis Allen Lange, 2019.

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(from The Merchant of Venice)

Tell me where is fancy bred,
Or in the heart, or in the head?
How begot, how nourishèd?
…..
Reply, reply.

It is engendered in the eyes,
With gazing fed; and fancy dies
In the cradle where it lies. 

Let us all ring fancy’s knell;
I’ll begin it – Ding dong bell.
…..
Ding dong bell.

 

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Lincoln inaugural

It looked dim for Lincoln’s election
To second term till changed complexion.
Sheridan o’er Early won;
Atlanta burned till it was done.
The army assured Abe’s selection.

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© Dennis Allen Lange, 2019.

 

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………….I – LONELINESS

……………….Her Word

One ought not to have to care
So much as you and I
Care when the birds come round the house
To seem to say good-by;

Or care so much when they come back
With whatever it is they sing;
The truth being we are as much
Too glad for the one thing

As we are too sad for the other here –
With birds that fill their breasts
But with each other and themselves
And their built or driven nests.

………….II – HOUSE FEAR

Always – I tell you this they learned –
Always at night when they returned
To the lonely house from far away,
To lamps unlighted and fire gone gray,
They learned to rattle the lock and key
To give whatever might chance to be,
Warning and time to be off in flight:
And preferring the out- to the indoor night,
They learned to leave the house door wide
Until they had lit the lamp inside.

…………………III – THE SMILE

…………………….Her Word

I didn’t like the way he went away.
That smile! It never came of being gay.
Still he smiled – did you see him? – I was sure!
Perhaps because we gave him only bread
And the wretch knew from that that we were poor.
Perhaps because he let us give instead
Of seizing from us as he might have seized.
Perhaps he mocked at us for being wed,
Or being very young (and he was pleased
To have a vision of us old and dead).
I wonder how far down the road he’s got.
He’s watching from the woods as like as not.

IV – THE OFT-REPEATED DREAM

She had no saying dark enough
For the dark pine that kept
Forever trying the window latch
Of the room where they slept.

The tireless but ineffectual hands
That with every futile pass
Made the great tree seem as a little bird
Before the mystery of glass!

It never had been inside the room,
And only one of the two
Was afraid in an oft-repeated dream
Of what the tree might do.

…………..V – THE IMPULSE

It was too lonely for her there,
And too wild,
And since there were but two of them,
And no child.

And work was little in the house,
She was free,
And followed where he furrowed field,
Or felled log.

She rested on a log and tossed
The fresh chips,
With a song only to herself
On her lips.

And once she went to break a bough
Of black alder.
She strayed so far she scarcely heard
When he called her –

And didn’t answer – didn’t speak –
Or return.
She stood, and then she ran and hid
In the fern.

He never found her, though he looked
Everywhere,
And he asked at her mother’s house
Was she there.

Sudden and swift and light as that
The ties gave,
And he learned of finalities
Besides the grave.

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Dfalls 9


Not Camels!
I’d walk a mile for
Waterfall.

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The photo is mine, of Garwin Falls near Wilton, New Hampshire.

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* The haiku I write are lines of 3-5-3 syllables instead of 5-7-5.

See Haiku article here for explanation, if needed: https://thebardonthehill.wordpress.com/2011/08/08/haiku/
——————–

© Dennis Allen Lange, 2019.

 

 

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